Event Details

In This Moment

AC Entertainment Presents

In This Moment

Starset, VIMIC, Little Miss Nasty

Wed, June 21, 2017

Doors: 6:00 pm / Show: 7:00 pm

Minglewood Hall

Memphis, TN

$30.00 - $35.00

This event is all ages

In This Moment
In This Moment
Throughout history, art rejoices and revels in the wisdom of women.
Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-­length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues.

It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and
it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.”

The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. Simultaneously, it clinched #3 on the Hard Rock Albums chart and spawned a series of hits such as “Sick Like Me,” “Big Bad Wolf,” and “Sex Metal Barbie”—all cracking 8 million Spotify streams each and topping Rock Radio. Meanwhile, the band’s signature smash “Whore” crossed the 20-­million mark.

Furthermore, the title track off In This Moment's 2012 album, Blood, has been certified gold by the RIAA. A remarkable accomplishment, the companion music video for "Blood" has been viewed over 27 million times.

Between headline tours, they incinerated stages everywhere from Rock On The Range to Download Festival. In March 2016, Maria and Chris commenced writing for what would become the new record with longtime collaborator and multiple GRAMMY® Award-­nominated producer Kevin Churko [Five Finger Death Punch, Ozzy Osbourne] at his Las Vegas compound. Following a high-­profile summer 2016 tour with Korn and Rob Zombie, the duo began writing. Then, Maria visited Salem, MA for the very first time with all of the women in her family quite appropriately during Halloween.
“We were really tapping the energy there,” she says. “We were honoring each other. I was seeking inspiration and experience to inspire me in this album. I was trying to find a lot of truth in myself. I loved Salem. I was blown away by how visually beautiful it is.

The history of the witch burnings is fascinating. It was a special ceremonial journey.”
Galvanized and inspired, Maria and Chris returned to Kevin’s stronghold to complete recording. In an atmosphere of candles, crystals, incense, and a cackling fireplace, they expanded their aural palette once again, welcoming a doom blues bombast into the sonic fold. “We love Black Widow, but it was very electronic,” Chris explains. “This is a little more organic, emphasizing guitars, bass, drums, and vocals. We slowed down the groove a little bit. I got to play some slide guitar, and I’ve never done that. There’s a bluesy side, which we’ve also never had.”

“We always want to grow and evolve,” Maria adds. “It was a chance to get a little more serious.” That progression shines through the first single “Oh Lord.” A minimal drum and handclap echoes as Maria’s wild incantation takes hold. Guitars shiver and shake as the frontwoman delivers an undeniable refrain. “The meaning of ‘Oh Lord’ is central to the album,” she reveals. “I should be able to have a relationship with what I perceive God to be. For me, it’s this strength and light. When I was younger, I felt guilty for thinking of these things. I’m not supposed to touch an oracle card, a tarot card, or these beautiful things, because they’re ‘bad.’ I had these fears in me for a long
time like, ‘Is this wrong?’ I realized I don’t have to be afraid anymore. There’s a lot of learning and an awakening in that one.”

Inverting everyone’s favorite Billy Idol nuptial anthem, “Black Wedding” sees Maria walk down the aisle of musical madness with none other than Judas Priest frontman Rob Halford. Co-­written with Stevens, it’s an explosive and enchanting duet. “I can’t believe that happened,” beams Chris. “Maria hit up Rob and asked if he was nterested.
He jumped right on it. I can’t believe we got him.”

“Who doesn’t love ‘White Wedding?’,” laughs Maria. “We wanted to do a spin-­off that’s creative. It’s a question-­and-­answer between me and another voice. The chorus essentially says this isn’t going to be the opposite of a happy ending! You’re becoming empowered by heartbreak.” Chris breaks out the slide on the raging “River of Fire,” while “Witching Hour” dances around the flames to a new wave-­inspired groove and midnight lore as Maria recants, “This idea of me being burned as a witch in a past life for teaching people to be free.” Elsewhere, “Roots” practically opens up the earth with its sheer seismic force.

“Sometimes, I have to go through pain in order to forgive and let go,” she adds. “I love to thank the hate in people. It’s that sort of energy. I’ll be okay, hold my head strong, push forward, do what I’ve got to do, and prevail.” Simultaneously, In This Moment breathe a dark new life into the Phil Collins’ classic “In The Air Tonight.” “We can’t reproduce what he did in a million years,” she says. “It’s one of the best songs ever.
We did our own interpretation and made it a little more sinister like our ritual.” The ritual has begun, and In This Moment ignite a brighter fire than ever before here.

“When fans hear this, I want them to feel the music, whether they take away sadness, anger, or happiness,” concludes Chris. “As a kid, I remember listening to records and putting them on repeat over and over again. I’d love for the world to listen and absorb this as a piece of work.”

Maria leaves off, “I want everybody to be unafraid of who they are and not worry about what the rest of society says. Be strong. Be loud. We love our fans deeply. I hope everybody feels that love and powerful in who they are.”
Starset
Starset
In the early hours of New Years Day 2013, a radio astronomer at the Allen Telescope Array in northern California discovered a mysterious signal emanating from a star within the Ophiuchus Constellation.

Contained within the signal was a Message--of human origin--foretelling the details of man's imminent demise. The Message was brought to The Starset Society, who quickly realized the importance of its immediate publication.

Risking extreme danger, The Starset Society commissioned a group of musicians and scientists to assist them in spreading the knowledge to a broader audience. This group became known simply as STARSET.

Please hold. STARSET will begin the TRANSMISSION of the Message to the public shortly.

ignorance : slavery :: knowledge : power
VIMIC
VIMIC
In fact, it actually starts with a group of extremely devoted, driven, and dedicated musicians—Jordison [drums], Kalen Chase Musmecci [vocals], Jed Simon [guitar], Kyle Konkiel [bass], and Matt Tarach [keyboards], Steve Marshall [guitar]—retreating to an Iowa basement in order to create music. It’s a place and process synonymous with his many successes.

Diagnosed with the often permanent neurological affliction Acute Transverse Myelitis, he spent three months in the hospital during 2012 and underwent intensive physical rehabilitation and training to not only achieve a full recovery, but to reach a new level of proficiency with his instrument. Emerging from this battle and returning to the stage for a string of festival appearances, Slipknot parted ways with him.

Finding a new strength and support from close friends and family, he put his head down and did what he does best.

“The riffs, lyrics, and drums of Open Your Omen will tell you a lot,” he admits. “I did this record when I was coming out of the Acute Transverse Myelitis condition. It’s literally what saved me and helped me get back to where I’m healthier than ever. These guys and this album pushed me to not only relearn how to walk, but to be able play the drums again. Open Your Omen is the rebirth of the rest of my life.”

In portentous fashion, the seeds became sown for VIMIC with Scar The Martyr. In 2013, the group’s critically acclaimed self-titled debut—featuring Simon and Konkiel—introduced listeners everywhere to a fierce new chemistry. As Jordison emerged from his fight with the disorder, he incited a shift in that foundation.

“Scar the Martyr was an amazing bridge for me in my career and led me to where I am now which morphed into Vimic, and I feel I finally landed home,” he explains. “It’s a really dark name, and it meant something at the time, but it didn’t register with the music I’m creating now. Through hard work and determination, we’ve made it up that hill which became Vimic. Open Your Omen is exactly that. It's where we are headed as a band.

He called up longtime friend Musmecci, whom he initially toured with in Korn, and the vision solidified. Holing up in Jordison’s home, the guys lived together, ate together, hung out together, and wrote countless songs together. The lineup would be rounded out by Steve Marshall [guitar] in 2016. They tapped into a style equally steeped in engaging and entrancing melodies as it is in unpredictable metallic technicality.

“There was a common goal,” he goes on. “With this record, it was complete honesty. It wasn’t trying to impress anyone or break down any doors. What we were trying to do was be true to our hearts and talent and give something back to the music that gave so much to us while we were growing up. It was about getting into the basement, grinding it out, being friends, and creating music.”

Heading to Sound Farm Studios, Jordison co-produced the record alongside Kato Khandwala [My Chemical Romance, The Pretty Reckless]. Dialing in every nuance, they crafted a deep, diverse, and dynamic soundscape.

“We really pushed each other in the best way possible,” he says. “Kato’s a killer producer and a great guy. He has a fantastic sense of humor, making the atmosphere really fun.”

The world got its first taste of the band when SiriusXM Liquid Metal premiered “Simple Skeletons” in May 2016. With its seesawing groove, mind-numbing drums, and haunting screams, the track immediately ignited buzz. Jordison would cover Metal Hammer Magazine and receive the prestigious Metal Hammer “Golden God” Award a month later, setting the stage for the record’s impending arrival. The first song he penned for the group “She Sees Everything” followed with its gnashing and guttural delivery and harmonic aural menace.

Now, the single “My Fate” explodes from a hummable lead into an unforgettable chant punctuated by focused, fierce, and fiery percussion.

“When people on the outside heard that song, their response was, ‘This sounds like everything you’re going through,’” he recalls. “There might be a possibility Kalen was thinking about it from an outside perspective for all of us. It became a calling card and a battle cry to let everyone know what we’ve been going through. It’s an emotional song. It was almost like our musical soul was speaking for itself before we could. That’s the beautiful thing about music and why I love doing it.”

Ultimately, VIMIC lays the groundwork for a very bright future. “I’m a firm believer in the other side and where the future takes us,” Jordison leaves off. “Sometimes, we hide things and bury them, but no matter what, there’s a destiny for all of us, and we don’t know what it is. With what I’ve been through and where I’m headed in life, this is my destiny.” — Rick Florino, September 2016
Little Miss Nasty
Little Miss Nasty
About
Production company and Brand. Rock And Roll Burlesque for the 21st century. For bookings contact rocknrollburlesque@gmail.com

Biography
The name "Little Miss Nasty" is oh so fitting for this decadent troupe of feisty little sex kittens causing a ruckus in leather and stilettos and bringing a new breed of bad ass bitch to the Los Angeles and Las Vegas burlesque circles.
Venue Information:
Minglewood Hall
1555 Madison Ave.
Memphis, TN, 38104
https://www.minglewoodhall.com/